Integrated mechanics
of the combination
of the tone and the unvoiced consonant and
the idea in the musical fields of knowledge
Universal analysis
of the combination of the tone and the unvoiced consonant and the idea in
the musical process of knowing – 7.3.1.11.00
• in the acoustic space
• in the musical tone-space
• in the musical motif-space
• in the musical sequence-space
• in the musical harmony-space
SEMINAR
7.3.1.11.01
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the force-field of the acoustic space
to the field of our neurophysiology
7.3.1.11.02
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of our neurophysiology to
the force-field of our mind
7.3.1.11.03
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the force-field of our mind
to the field of our inner voice
7.3.1.11.04
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of our inner voice
to the field of knowledge of the musical tone-space
7.3.1.11.05
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
7.3.1.11.06
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
7.3.1.11.07
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge
of the musical motif-space to the field of knowledge of our understanding
7.3.1.11.08
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
7.3.1.11.09
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge
of the musical sequence-space to the field of knowledge of our feeling
7.3.1.11.10
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
7.3.1.11.11
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge
of the musical harmony-space to the field of knowledge of our intellect
7.3.1.11.12
Integrated mechanics of the combination of the tone and the unvoiced consonant
and the idea at the transition from the field of knowledge
of our intellect to the field of knowledge of our self-awareness
